Work That Moves.
Ads, launch films and brand video, written and made the same way we build software: in-house, on a schedule that suits a campaign rather than a production calendar. No crews, no studio days, no stock library. Press one and watch.
- Spots
- 10
- Campaigns
- 4
- Shoots
- Zero
- Languages
- English, Hebrew
Fifty-six seconds on what we do.
The one piece here that is about us rather than a client. It is the clearest single answer to what ZipLyne makes, and it was made the same way everything below was.
Grief, without the gloom.
Three ads for a book about losing a pet. The hard part is tone: sell the thing without making the reader feel sold to on the worst week of their year. Each cut stays with one image long enough to land, and the product arrives late and quietly.
Generated and cut in-house. No shoot, no crew, no stock footage licence.
Product motion with no product shoot.
Two short loops built to stop a thumb: fabric moving, a foot lifting, hair caught by a breeze. Six seconds each, made to be cut into a paid social set and tested against one another rather than admired.
Six seconds each, built for paid social where the first second decides everything.
Three ads that had to be funny in another language.
Baba is our own Hebrew-learning app, so these ads had to work on an Israeli audience in Hebrew, with jokes that survive the translation because they were never written in English. A falafel standoff, a dinner that goes wrong, and a romance in the stone age.
Written, voiced and cut in Hebrew for an Israeli audience.
A launch film for a version, not a brand.
When Baba v3 shipped it needed something longer than an ad and shorter than a demo: a minute and a half that shows what changed and why it matters, cut to hold attention the whole way through.
A minute and a half, made for a release announcement rather than a feed.
Let’s Build What’s Next.
Bring the business problem. We’ll talk through what would make a difference and where to start.