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Creative

Original Music, Made To Order.

Stock music is the same thirty tracks everyone else is using, licensed for a term, and never quite the right length. We write and produce original music instead, to your brief, in your key, at your runtime.

The proof

Music we wrote, released and scored with.

A catalogue on Spotify

Witz is an artist project where every track was written and produced this way, then released commercially. The album below is the clearest single listen.

Eight episodes, eight scores

The Gvinch Who Stole Chanukah ran one episode a night for eight nights on @zachmargs. We wrote the background music for every part. Scoring eight episodes on that schedule is not economic any other way at this budget.

Series by Zach Margolis. Music by ZipLyne. Used with permission.

What you get

How this actually works.

  1. 01

    Written for the cut, not trimmed to fit

    The track is built to the length and the beats of the piece it scores, so the hit lands where the edit lands.

  2. 02

    A catalogue, not a track

    A defined sound produces a series: a theme, its variations, the short sting and the long bed, all recognisably the same world.

  3. 03

    Released and distributed

    Where the music is the product, we take it through production, artwork and distribution to Spotify and the other stores.

  4. 04

    No licence to renew

    Original work, made for you, with no per-use fee and no term that expires mid-campaign.

Questions people ask.

What comes up first when someone is deciding about ai music and original songs.

Who owns the music?

You do, for work we make for you. We confirm the commercial terms of the generation tools in the engagement rather than leaving it implied, because those terms differ by tool and by plan.

Can it be released commercially?

Yes, and we have done it. The Witz catalogue below is on Spotify and was produced this way. Distribution, artwork and metadata are part of the work when the release is the goal.

What about a video series that needs many tracks?

That is where it is strongest. The eight-part series below was scored end to end, each episode with music written for that episode, which is not economic any other way at that budget.

Next Step

Let’s Build What’s Next.

Bring the business problem. We’ll talk through what would make a difference and where to start.